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a cloud + a fence, 2024
Vitreous enamel and powder coated aluminium, sign fixings, powder coated steel rail, paint
The Line, London
(photos: Alaa Satir and Clare Cleary)

 

 

 

 

Working Position 6, 2022
Lambswool, European pine

Working Position 4, 2022
Lambswool, European pine

Working Position 5, 2022
Lambswool, European pine

Working Position 2, 2022
Lambswool, European pine

Working Position 7, 2022
Lambswool, European pine

blueprint of an emotion, 2022
 Installation view, British Art Show 9, 2021-22, The Whitworth, The University of Manchester 

The Elements, 1967, Tapestry, Department of Chemistry, University of Manchester, on loan to The Whitworth. Commissioned for the new Chemistry Building, The University of Manchester in 1964.   
Hans Tisdall (designer) 1910-97 Edinburgh Tapestry Company, Dovecot Studios (manufacturer) Fred Mann, Archie Brennan, Harry Wright and apprentice Douglas Grierson under the direction of Richard Gordon (weavers)  

Display Case: Hans Tisdall, Design for a Mural, c.1966, Watercolour, The Whitworth, The University of Manchester

A Hayward Gallery Touring exhibition organised in collaboration with galleries across the cities of Aberdeen, Wolverhampton, Manchester and Plymouth. (photos © Michael Pollard)

blueprint of an emotion, 2022
Installation view, British Art Show 9, 2021-22, The Whitworth, The University of Manchester

Pheasant Moons, 2022, Wall painting 

blueprint of an emotion [amorphous visual vibration], 2022, Graphic artwork (in collaboration with Theo Inglis & Kate Hodgson), screenprint on paper 

blueprint of an emotion, 2022
Installation view, British Art Show 9, 2021-22, the Whitworth, The University of Manchester
(photos © Michael Pollard)

 

(photos: Wayne Perry)

 

Work Hands 10, 2021
Cotton thread, cotton mesh, frame
Thanks For The Apples, Falmouth Art Gallery, Cornwall, 2021-2
(photo: James Champion)

 

small wares, Vleeshal, Middelburg, NL, 2021
curated by Clare Molloy
(photos: Franz Müller Schmidt)
exhibition booklet designed by Marianne Noordzij, PDF

alcove cushions, 2021
Broadcloth, polyester thread, foam      

alcove cushions [detail], 2021 

small wares & hard wares, 2021
Cotton, silk, linen, powder coated steel
Made with Veva van der Wolf at TextielLab, Tilburg, NL and Sam Fish, SWARF, UK
 

small wares & hard wares, [detail], 2021 

 

 

strength study, 2021
Cotton bias binding, powder coated steel
740 x 246cm

 

strength study [detail], 2021 
Cotton bias binding, polyester thread, powder coated steel

patches, 2021
Wool offcuts, polyester thread 

patches, 2021
Wool offcuts, polyester thread

tea towels
design: Marianne Noordzij
(photo: Michiel Vermet) 

A Working Building
The Gallery at Plymouth College of Art, Plymouth, 2019

(photos: Andy Ford)

Mural
2019
Dulux Paint: Delhi Bazaar 4; Amazon Beat 1; Celtic Moor 1; Holiday Blues 3; Minted Glory 3; Bongo Jazz 1; Grey Steel 1
Leftover paint from This Interesting and Wonderful Factory, Tate St Ives, St Ives, 2018

Plymouth Rugs
2019
yarn, mesh

Stripes (reconstituted)
2016/19
Steel, plywood, reconstituted foam, hessian
Reconfigured stools from Jerwood Solo Presentations, Jerwood Space, London, 2016

This Interesting and Wonderful Factory
2019
Digital & 16mm video, digital photographs, scanned 35mm hand developed photograph, text
Digital footage: Alban Roinard/ 16mm footage: Katie Schwab/ Photographs: Alexei & Katie Schwab

 

Civic Centre/ City Centre
2019
Digital video, digital photographs, stop-frame animation, Tisdall script
Digital footage: Robert Marshall & Katie Schwab/ Photographs: Emily Kemp




Double Quilt (St Ives/ Plymouth/ London)
2017-19
cotton, thread, wadding
 

Relief Tiles
2019
Counter enamel, enamel, copper, bookcloth, steel
Leftover bookcloth from A Portable Mural series, mima, Middlesbrough, 2017

Wallpaper (Island Road)
2019
Block- printed wallpaper

Indigo Curtain
2019
 Indigo dyed cotton dustsheets, cotton dustsheets, thread Indigo fabric dyed with Sarah Johnson, St Ives, 2017
Leftover fabric from A Portable Mural, Serpentine Galleries, London, 2017 and Jerwood Solo Presentations, Jerwood Space, London, 2016

Pint Glasses and Water Glasses
Made with Lawrence West and Amy Whittingham at Plymouth College of Art

Cairn, Pittenweem, 2018

(photo: Sean Campbell)

 

 

All Our Own Work, 2017
MIMA Atrium Commission, Middlesbrough
Polyester, thread

Designed and made by Louise Freeman, Amy Brannan, Rebecca Bean, Lindsey Richardson, Sam Wills, Zoë Wills, Lilaf Abdo, Sameneh Khedmati, Ann-Marie Edwards, Heather Bareham, Ruth Topping, Y Tibin, Baher Aldeen, Saheba, Gemma, Uzra Ahmadi, Sally Morris & Evie.

With special thanks to Helen Wickens, Elinor Morgan and Lindsey Richardson

(photos: Jason Hynes)

Leftovers 5
Glazed stoneware, black clay and terracotta, household paint, birch plywood, ash

(photo: Tom Carter)

 

Leftovers 3
Glazed stoneware, black clay and terracotta, household paint, birch plywood, ash

(photo: Tom Carter)